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Posts tagged: medium format

Paradise (Artificial)
© Arne van der Meer
Botanical garden, University Düsseldorf
Camera: Rollei SL66e, Film: Ilford Pan F50, scanned negative

Paradise (Artificial)

© Arne van der Meer

Botanical garden, University Düsseldorf

Camera: Rollei SL66e, Film: Ilford Pan F50, scanned negative

Paradise (Artificial)
© Arne van der Meer
Botanical garden, University Düsseldorf
Camera: Rollei SL66e, Film: Ilford Pan F50, scanned negative

Paradise (Artificial)

© Arne van der Meer

Botanical garden, University Düsseldorf

Camera: Rollei SL66e, Film: Ilford Pan F50, scanned negative

Paradise (Artificial)
© Arne van der Meer
Botanical garden, University Düsseldorf
Camera: Rollei SL66e, Film: Ilford Pan F50, scanned negative

Paradise (Artificial)

© Arne van der Meer

Botanical garden, University Düsseldorf

Camera: Rollei SL66e, Film: Ilford Pan F50, scanned negative



the “studio”
second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 
© Arne van der Meer
Camera: Agfa Isolette III, Film: Foma Fomapan 400, scanned negative

the “studio”

second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 

© Arne van der Meer

Camera: Agfa Isolette III, Film: Foma Fomapan 400, scanned negative

the “studio”
second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 
© Arne van der Meer
Camera: Agfa Isolette III, Film: Foma Fomapan 400, scanned negative

the “studio”

second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 

© Arne van der Meer

Camera: Agfa Isolette III, Film: Foma Fomapan 400, scanned negative

the “studio”
second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 
© Arne van der Meer
Camera: Agfa Isolette III, Film: Foma Fomapan 400, scanned negative

the “studio”

second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 

© Arne van der Meer

Camera: Agfa Isolette III, Film: Foma Fomapan 400, scanned negative

the “studio”
second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 
© Arne van der Meer
Camera: Agfa Isoletta III, Film: Foma Fomapan 400, scanned negative

the “studio”

second roll with the Agfa Isolette. All done with F22 and 4-8 seconds exposure time, on a tripod, of course. 

© Arne van der Meer

Camera: Agfa Isoletta III, Film: Foma Fomapan 400, scanned negative

A new little friend. :-)

Agfa Isolette III (build between 1951 and 1954..as far as i know.) 
The Bellows seems to be ok. I had to get the focusing ring unstuck ( looks like that worked.) and the slow times don´t work anymore. but i´ll see how fast i can get some pictures out of that little old darling.

A new little friend. :-) Agfa Isolette III (build between 1951 and 1954..as far as i know.) The Bellows seems to be ok. I had to get the focusing ring unstuck ( looks like that worked.) and the slow times don´t work anymore. but i´ll see how fast i can get some pictures out of that little old darling.

staring at the wall

Camera: Kiev 88, Film: Ilford HP5

staring at the wall

Camera: Kiev 88, Film: Ilford HP5

the price of a rose
© Arne van der Meer
Camera: Rolleiflex Sl66e, Film: Ilford (??)

the price of a rose

© Arne van der Meer

Camera: Rolleiflex Sl66e, Film: Ilford (??)